Wednesday, December 10, 2014

Hungry Hands- American Standards


For a band formerly signed to Victory Records, American Standards’ new EP “Hungry Hands” proves that the band escaped from the infamous label’s toxic touch alive and well enough to produce one of the year’s most impressive efforts. The three song EP runs at just under 10 minutes, and the band does not waste a second on frivolities from the opening riff of “Casket Party”, a song characterized by the bouncing instrumentation of the verses and two well-placed half time mosh riffs that will make you inexplicably furious. Frantic guitar riffs and dissonant chords dominate the EP, causing the listener to draw obvious comparisons to titans of the genre such as Refused and Converge, but by no means is this band yet another face in the ranks of the 90s hardcore revival. American Standards relies more heavily on vocalist Brandon Kellum’s abrasive screaming and poignant lyricism as opposed to the overbearing 90s-metalcore-beatdown-party approach that so many of their peers have adopted and yet had no trouble writing bone crushing riffs into all three of the songs. The true power of American Standards’ explosive EP lies in pileup-inducing call and response vocals, gang chants, and a rhythm section that will make even the tamest punk spin kick a child. Mile-a-minute blast beat patterns give way to visceral mosh riffs that will rattle your teeth as the crunchy guitar tone allows the EP to retain an air of clarity that many hardcore bands shy away from in favor of walls of distortion. While this may seem like a nuance, American Standards refreshingly only cranks the gain once, breaking out thick, fuzzy guitars for a doom metal inspired outro in “Circus Rats”. The band’s creativity is on full display in the latter half of “Circus Rats” and throughout “The Complex Death Machine”. The strangely soothing piano and guitar duet on “Circus Rats” gives the listener a brilliantly brief moment to rest from the onslaught, before grinding its way to a close with a neck-breaking beatdown. “The Complex Death Machine” is a perfect end to the EP, pairing mixed time signatures and a hellishly powerful chorus with a melodic and haunting outro that showcases Kellum’s abilities as a lyricist, as his spoken word builds into aching and pained shrieks.

However, despite their willingness to depart from the norms of contemporary hardcore, there really is not anything on this EP that has not been done before. The band sticks true to a formula pioneered by the aforementioned Refused, but that is really their only offense. And in truth, the songs are so attention-grabbing and enjoyable that it is incredibly hard to fault them or consider this a particularly applicable criticism, especially when one considers how many bands have failed outright to capture the intensity and honesty of the “new noise” that Refused embodied. Although I do not believe that a three song EP is substantial enough to warrant Album of the Year buzz, “Hungry Hands” is a special release that deserves a nomination for an EPOTY award, should one exist. The EP and the rest of their music is available on their Bandcamp for free, so there is no excuse not to download it.

-Jack

 Tracklist
1.       Casket Party
2.       Circus Rats
3.       The Complex Death Machine 
Download- 320kbps

Tuesday, December 9, 2014

The New Sidewalk - Such Gold


I haven't written a review in about 8 months now so I apologize if this is a little sketchy.  This is Such Gold's newest album and upon first listen I realized that it was the best material they have ever released.  A lot of fuck boy pop punk kids say that Such Gold isn't worth listening to past Pedestals and anyone who says that obviously just doesn't like actual musical talent.  With every album Such Gold pushes the boundaries and comes up with more progressive, more technical, and more bad ass parts.  One of the most stand out performances of this album is the way that the vocals are delivered.  I couldn't tell with Misadventures whether or not Such Gold would try to take a more melodic hardcore path or end up bringing it back to pop punk but with this album they ended up paving a new path.  The vocals are delivered extremely clean in some parts and are almost never taken into a full scream.  This shows me that he has become more confident with his voice and is letting the music make up for any aggression that the vocals have lost.  This is the first album that they have released as a four piece and that left me expecting the guitar to be lacking compared to their previous work but again, I couldn't have been more wrong.  Every song fucking rips.  I honestly have no idea how it is possible to play such technical pieces with such strange timing and be able to sing at the same time.  Whatever it is they are doing now is working and I haven't been able to stop listening to this for weeks now.  If you haven't checked it out yet you need to get on it immediately.

-Ian
(I just opened another tab to search the tracklist and it got a 10/10 rating on HasItLeaked.  Fucking right.)

Tracklist
1. Engulfed In Flames
2. Faced
3. Axed Away
4. Food Court Blues
5. No Cab Fare
6. I Know What I Saw
7. Nauseating
8. Don't Park Next To Me
9. Morrison
10. When It Gives
11. Frying In The Mix
12. The New Sidewalk

Download - 320kbps

Monday, December 8, 2014

We're Coming Back...

It's been about seven months since we've posted anything on here but we just realized that we still get comments on posts and hundreds of views every day.  Apparently some people liked what we were doing on here so we decided to bring it back.  Expect new posts starting this week.  We have a cool first post that we're dropping here soon.  Thanks for checking this site out.  Keep listening to good music.

-DWTD